![]() The 3232 lets the two legs swivel back under my arm when the stock hangs at my side by its shoulder strap. With the shoulder stock on top of all this I get decent three-point stability. The Slik - rather wiggly and useless on its own - swings out to the left to serve as a darned good stabilizer. Through the left hole, I stuck a Slik "Slim Pod" monopod ($20) with a slightly longer bolt replacing its original plastic-knobbed one. ![]() I stuck the screw of a Bogen 3006 "Junior Monopod" ($25) into the hole on the right and tightened on a 3232 tilt head ($13) with a reducer bushing. The best bit of the Frankenstein Monopod-ShoulderStock thing I built is its second leg: I sawed a short (about 4-inches long) piece of fairly thick (almost 1/8-inch) steel from a hardware store angle bracket and drilled out the two holes in it to accept the 1/4"-20tpi screws that feed into most camera bodies. Over the summer I played 'mix-&-match' with monopods, brackets and quick releases. But the 'slosh' from the torso's tendency to torque left and right at the hips has always kept my camera in motion. Most directions of movement when using a monopod - pitch, yaw, etc. Save up for a good tripod for this type of shooting. You can always hold the legs of the tripod together and use it like a monopod if the situation dictates. You generally have the time and space to use a tripod and take advantage of slower shutter speeds when you need it. The shutter speed ranges from 1/250 up depending on lens and light on ISO 100 film.įor nature photography this does not make any sense. This combination will yield very sharp results at reasonable shutter speeds depending on the lens used. In fact, I have never seen any pro sports shooter use a ball head or swivel on a monopod for this reason. Why add another point of instability? If you need to angel up or down tilt the whole set-up and brace it. I use the largest standard metal Gitzo monopods equipped with an arca-style quick release clamp mounted directly on the monopod. In that case you are limited to the monopod or handholding. I shoot a lot of sports events where, as mentioned before, tripods are usually not permitted. It is a bit odd that this question is here in the nature rather than the general forum where it is a better fit. The original question asked which monopod to use for big glass.
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